Twenty seven and desperate for help, I stepped from the office building, wrapping my jacket tightly around myself. The air was bitter, a sign of the winter to come. I began to walk, as quickly as I could. Twenty minutes to home, if I was lucky. If my foot held out. If I didn’t run into trouble.

The streets were dark and empty and I berated myself for not leaving sooner. Arguing a little longer hadn’t helped me  anyway.

The wind whipped past me as I walked, finding every threadbare patch in my clothing.

Walk faster Lia. You’ll be warmer then. Ignore the pain.

I lied to myself, but what else could you do? There was no money for a bus, certainly no money for a taxi. Two children at home with my elderly parents, all hungry.

Mental inventory. There’s two potatoes, flour and some tins of corn. If I’m lucky, the animals won’t have discovered the new shoots and we’ll have greenery too.

We’d be okay, tonight.

Half way home the buildings started to fall apart. I ducked my head and tried to look invisible as I limped past, the pain in my foot increasing.

It wasn’t enough.

“Hey love!” The coarse shout rang out from behind me. “You want a good time? You look like you need a fuck.”

I walked faster wishing I could afford a gun to make this walk easier. But then I’d be just as bad as everyone else. Struggling to survive. Muggings at gunpoint. Rape. Worse.

If I just keep walking…

I pulled my head even deeper into the jacket, trying to shrink.

Footsteps behind me. A hand on my shoulder. He spun me around.

“Oh boy, you’re a looker too.”

“Let me go.” I snapped.

His fingers dug in deeper, harder. I tried not to wince.

“What’re you doing, limping round here at this time of night?” His voice was hard. A man protecting his turf from the danger of the crippled woman. “You looking for work, love?” He grinned at me. “I’ve got all the work you could want right here.” He grabbed his crotch.

I didn’t respond. I could still get out of this.

“I’d even pay you. How about that, love? You come over here for just a minute and you walk away twenty bucks richer.” His eyes roamed over my clothes. “You need the money, dontcha love.”

God forgive me, I considered it. Just for a moment. $20 could buy food for the week. We could eat. Survival prostitution. We all sell what we’ve got until there’s nothing left. How would this be any different?

Common sense kicked in. There wouldn’t be $20 at the end. Just a cold bleeding out on the frozen ground after he was done. I gritted my teeth, squared my shoulders and looked up at him.

“You don’t want me. I’m disabled.”

I hated it. I hated to say the words, but there they were. Truth, stark in the face of reality.

He snatched his hand back off my shoulder, looking at me, trying to find my problem. Sometimes it isn’t as visible, and thank god for that or I’d never have survived this long.

Three steps backwards, he looked me over again. I could see the gears turning in his head. The limp. The poverty. “You’re an abomination, woman,” he hissed “you should have died at birth. They should have taken you away.”

He turned away, disgusted.

I walked away, faster now, before he got together a gang to try and right the wrong my parents had committed in hiding me.

A warm living room in late Autumn. A woman screaming and straining on the floor, blankets and newsprint between her legs. A midwife crouches between her legs.

“Come on Imogene, just one more push. One more push and you’re done.”

A man sits behind her, whispering encouragement. A steady stream of positive energy.

You can do this, the baby is almost here, you’re strong, you can do this.

Another midwife in the corner wrings her hands, glancing at the mother to be. She’s too old, she thinks. She should never have fallen pregnant this late.

The woman screams, the sound torn from her as the baby emerges, as I emerge into the air, shouting my displeasure.

The room falls silent. The woman pushes herself up onto her elbows.

“What’s wrong? Give him to me. Give him here.” Desperation in her voice, she tries to sit up.

The midwives glance at each other.

“It’s a girl. And there’s a problem.”

The story goes, they bribed the midwives into silence. My birth is written as a death and I am hidden away while they try and fix the mistake nature has wrought with my legs. The twisting mess left behind by a fault somewhere along the way.

Not my fault, but I’m the one suffering anyway.

Nine months later, a faked pregnancy. They forge me a new birth certificate. My autumn birthday is turned into a summer celebration. Suddenly I exist, albeit my legs bundled tightly. Will I ever walk? Will this be the biggest mistake ever?

The charges for hiding a deformed child are harsh.

Is it worth it?

Twelve years old and I am sitting at my desk in school. The agony shot up my leg, making it hard to concentrate. My father was testing a new brace to try and strengthen my ankle.

Loose pants hide the bracing around my leg. I hate them. I hate myself. Why am I alive?

The lesson continues, drumming itself into my brain. I shouldn’t be here. I shouldn’t be the child who lived.

“Now class, a history lesson. Many years ago, women weren’t able to call on the Collectors to take a child who wasn’t whole. Women kept their children, no matter what happened.”

Mark, eleven years old with freckles, interjects: “But what did they do with them?”

The teacher shook her head sadly. “They tried to pretend they were normal children, with the chance to live.”

Suddenly I am screaming inside my head. “But I deserved a chance to live!”

The dual mental states of a child who should not exist: I demand to be here, I demand to survive, while simultaneously being told I shouldn’t exist.

I don’t say anything, my head down, breathing through the pain. My left leg had straightened easily. My right one, not so much.

“And what are the Collectors, children?”

Mary shouted from the front. “They’re there to Collect any problems nature gives us. Just like a baby bird without wings won’t survive in the wild, so should not a deformed child be allowed to live.”

Mary’s father was the Mayor. She knew all the rules. I hated her.

The teacher continued. “Many people throughout history exposed children who were deformed, making humanity stronger. There’s no room in a strong society for disability. Remember that children.”

My leg throbbed. I wondered if she was right. My mother called this brainwashing and promised I was perfect just as I was, but I didn’t believe her.

The bell rang and my class flowed outside for lunch. I limped after them. The teacher noticed, concerned.

“Are you okay Lia?”

I nod. Drummed into me my entire life. “I just twisted my ankle, Miss. It will be okay.”

She frowned. “You twist your ankle a lot, Lia.”

“My mother says I’m a clumsy child.” I lie, straight faced.

Nineteen and walking down the street with friends, their skirts swishing around their thighs. My limp is barely noticeable.

“Why don’t you wear skirts Lia?”

I shrugged. “I don’t like them much.”

They teased me for a minute. Did I have scars from being whipped as a naughty child. Did I have ugly knees? Had anyone ever seen me in a skirt?

I try to smile, but it’s hard. Society says I shouldn’t exist. I hide who I am.

There’s a group of activists I’ve heard about. Trying to change the perception of disability. It’s not working, but they try anyway. The Collectors are after them.

all for one
and one for all
until we stand against the wall

Society had become stricter. Firing squads. Children taken. A three year old who couldn’t talk was removed from my street last night. I could still hear his mother screaming.

The conversation flowed around me. I am a rock in the middle of the stream, here, but not a part of things.

I want to join the activists. I want to change the world.

The sun streams through my hair and I keep walking, down the street, safe in my perceived wholeness. Invisible in my disability.

Twenty five and watching my life fall apart before my eyes.

“I know you say you just sprained your ankle again Lia, but you’re always limping. It looks bad. I’m sorry, but I’m going to have to let you go.”

Shock. “You’re firing me for spraining my ankle?”

“No. I’m firing you because you’re perpetually limping.” He lowered his voice. “I like you Lia. I don’t know what your problem is, but I suggest you hide it better. I’m sympathetic, but not many people are.”

Unspoken words. You’re not whole, you can’t stay, you make us look bad.

I leave. No job, no money, no way to feed the foundling children I worked to save. No social support.

Twenty eight and hiding in a basement, a candle in the middle of our group, the light flickering.

“We can’t keep going like this. We have to fight.”

I’m the only disabled person here, the only one left. My leg screams at me every day now.

Around me are parents who had their children removed.

“We have to make a stand. Disabled people are exactly like everyone else, you just have to give them a chance! Let them be part of society.”

The shouted whispers get louder. We can’t be found here, huddled and plotting.

“Things have to change. We used to support the poorest in our society, now we murder them.”

“You don’t know they’re murdered, Anna.”

Anna rounds on her. “They certainly don’t return to society when they’re all grown up, do they? Murdered. The lot of them.”

Her five year old had been taken six months ago after a virus left him a paraplegic. “No use to anyone” they said, and drove him away in their van while she screamed her throat raw.

The despair is thick. How far we’ve come. That an idealistic reform for The Good Of The Country could do so much damage. Could break people’s souls.

We used to support the weakest in our society.

Where did we go wrong?

 

 

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How can I celebrate?

by Veronica Foale on January 26, 2014

in Poetry

How can I celebrate on this day,
this Australia day.

When the date marks the invasion of the land,
the rape, the pillage, the slavery.
How can I celebrate our sunburned country,
when we built it on the back
of such misery.

How can I celebrate?

When we treat our indigenous people,
like they ought to be grateful
for what we do to them.
Sit there and thank the white men,
for stealing your land, your children, your souls.
Your culture.
You’ve got McDonalds now,
and hey, progress right?
No.

When we lock up refugees in places akin to concentration camps.
When we dehumanise and demonise anyone
who isn’t white and shouting
‘Straya cunt.

When the racism is so ingrained, people honestly believe
today is a day for equality.

It is not,
and I cannot celebrate.

For how can I,
when our government accidentally invades Indonesia,
and then says
Whoops, sorry mate, totes an accident.
We didn’t think you’d notice.
When we bully, and coerce, and push and strangle.

How can I celebrate?

When the flag so many have wrapped around their shoulders
makes me cringe,
with its message of patriotism and imperialism.
The sublte whisper of
kill the brown people, let them die, no one wants them, send them back.
A Union Jack on every corner,
God Save The Queen.

How can I be part of this,
when the shame of being Australian
eats at me, making my stomach roil.

I am disgusted,
At the things we do
in the name of this country.

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Art, appreciation, and the teaching of children

by Veronica Foale on November 15, 2013

in Navelgazing

paintings on wall 002

My seven year old is beautiful, amazing and talented. I found a drawing hidden in her bedroom the other day; chalk on brown paper. It’s a duckling and I love it so much I pinned it to the wall next to my desk.

She draws things and screws them up into a little ball, lobbing them across the room to end up land mines of destroyed creativity, left for the baby to chew to pieces and for her to feel lesser, somehow.

Her imagination doesn’t match up to the skill of her fingers. Not yet, not yet.

I take the abandoned papers, smooth out their crinkled lines and point out that I really love her artwork. I tell her I’m proud of her, she has a talent, and drawing is a skill that you work at. I tell her of course her drawings don’t look like the ones in books, because she is seven and illustrators are much older than that, with years of practise. I want her to keep drawing, because it makes her so happy.

Raising children is touch and go. Encouragement and discipline. A mix of you’re amazing and keep trying because you’ll get there.

I was talking with my husband today, about encouragement, and children, and art. And suddenly I remembered my art teacher in Primary school telling me I had no talent for drawing and she didn’t know why I bothered.

I remembered having a sculpture I’d made out of clay screwed up in my face, while being told that it would never work and that I was no good.

Visceral reaction to a memory I didn’t realise I still had. My art teacher didn’t like me, and for years, I believed that I wasn’t any good at art, that I couldn’t draw, couldn’t paint, couldn’t art.

This is the power adults have over children. Turns out I’m still angry, about my sculpture, about the disillusionment that she instilled in me.

Children need encouraging in the things they enjoy, and we don’t give that enough. Flippant comments cut deeper than we realise.

Related:

For years, I stopped showing my mother my writing because she used to correct my spelling and grammar before encouraging me. I refused to let her read my homework. I didn’t bring my stories home. If I needed help with school work I went to my father, or my grandmother, who were softer critics. I was a sensitive snowflake and I couldn’t handle my mother at that stage. She wielded her red pen like a sword and she was very good at it.

Years later, I get my revenge. I hack her blog posts to bits sometimes, and put them back together, better. I am a good editor, and I learned at her feet. I write things for a living. Her red pen didn’t cut me down, although it felt like it at the time.

But I get my revenge, even as she still rings me to point out a single error in my writing.

“But did you like it?” I ask.

“Of course I liked it, but you need to fix this sentence that doesn’t work.”

She wants me to be better. I want to be better. I have thicker skin nowadays. But I didn’t then, and it was hard, and I hid myself from her.

I’m trying to be a softer parent. Walking between encouragement and teaching. My red pen is not a sword for my daughter. But then, maybe hers wasn’t when I was seven either. Maybe it all came later and it’s muddled up in my brain, a great timey wimey ball of yarn.

I remember sitting at the plastic covered desk, working on a sculpture of a fish. Smoothing and scaling and reforming the arches. I remember being proud of how it looked, of how it matched the picture inside my head. I remember the art teacher appearing over my shoulder, telling me I was no good. I remember her hands, reaching over to touch my work. Don’t touch my work. I remember her picking it up, as I watched, ten years old and fragile in my new found creativity, picking it up and crushing it into a ball. Destroying the last hour’s work, telling me I was no good.

I remade that sculpture, and gave it to my father for father’s day. It wasn’t as good as the original, and I never forgave the teacher. For the record, my parents loved the fish, and it’s still hanging in my parents house, if I remember correctly.

But it’s a poor imitation of what I started to do in the beginning.

As a writer, and an editor, I truly believe that sometimes tearing things apart and putting them back together is a good thing. Strip things down to their bones, hack out all the marrow and resculpt them into something new, something better.

Is that what my teacher was trying to do, when she reached over and took over?

My memory tells me no. I remember more than one time when she took the pen off me, took the paper, stole the paintbrush. I remember more stories of destruction than of creativity. Maybe my memory is flawed.

Maybe not.

My art teacher in Primary School was not a good teacher. She did not make me better with her criticism.

I looked her up on Facebook, earlier today. She’s not really on there, it seems. But neither is she an art teacher anymore. She’s moved on to real estate, which in my opinion, is a much safer place for her to practise her destructive tendencies.

Teaching children is a difficult thing. They’re fragile in your hands and it’s an honour to be allowed to shepherd them through to adulthood.

Don’t fuck it up, okay?

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And it’s a race (race race)

by Veronica Foale on October 12, 2013

in Poetry

Someone’s dead
and it’s a race
(race race)
to Facebook, to
let the world know
you knew them when,
that you knew them before,
before they died.

And my stream is full
of RIPs and
Good bloke, him;
Such a wonderful lady
Taken too soon

and I wonder when
did we stop taking the time
to grieve in our hearts
before we announced
we were grieving
to the world?

It’s a race
(race race)
to feel important
with our loss,
to
cry
aghast
our
sorrow
publicly.

And I understand
(I do, I do)
the need to reach out
to your friends,
in your time of need,
but the self important
posturing
leaves
me
cold.

Because this is how
I found out
that someone I loved
had died.
A glib announcement,
on a Facebook profile
and I grieved, and grieved.

I wonder,
in this race
(race race)
to feel important
with our loss,
do we forget
others.

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Another thing on our list of things

by Veronica Foale on September 18, 2013

in Children

The air is vaguely warm and damp as I walk home from the bus stop, holding the hand of my eldest daughter. We’re discussing her reading; more honestly, the struggles she is having with learning to read.

“Sometimes the words dance around, and go blurry and I can’t remember which word I’m meant to be looking at.”

A short story she brought home the previous day encourages me to probe for details, the transposed letters, mirrored words and sight words with the middle all muddled ringing alarm bells in my head.

I research Dyslexia and mark a checklist that tells me if you check more than ten of these, consult with a specialist. I check thirty four.

I make an appointment with our doctor for (another) eye test, just in case, before sending her off to her room to play. A highly intelligent child, this might explain her frustration with words not making sense inside her head.

My husband confesses that if he doesn’t read methodically, the lines move and blur together for him as well.

Huh. These things run in families, oftentimes.

She plays and I am grateful to be making this connection now, which she is small and malleable, before the disillusionment sinks in and the bright shine of learning gets knocked off her.

It will be okay – it will always be okay. It’s just another thing on our list of things, another reason to keep pushing, to keep reading, to keep paying attention.

Maybe something inside her brain will click tomorrow and she will stop shouting, frustrated, when the books don’t speak to her. Or maybe something won’t, and we’ll get help, falling to the bottom of the issue and working out way out again with success in our eyes.

 

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